Sunday, March 08, 2009

Watchmen Review

Score: 7/10

This film was impossible to judge on its own merits, because I was already familiar with the source material. For example, I thought Goode was a little too hammy playing Ozymandias, making it too obvious that he was the one behind the whole plot. But my friends said they didn't realize it until the end of the movie.

The plot was way too complex, especially for international audiences. Add that complexity on top of advanced storytelling techniques, a movie set in parallel universe and another time period, a familiarity with US History, and some unnatural comic book dialogue dialogue, and you have a movie that will leave a lot of Filipinos confused.

And I agree with Gerard-- way too gory. By the time they showed the two dogs fighting over the girl's leg, I was de-sensitized, and the scene had no impact for me at all. Rorschach's transformation into a psychopath didn't seem valid.

The acting for the most part was good, with a few standout performances. I liked Crudup, Morgan and Haley's work. Wilson played his part right, being the emotional heart of the story. Akerman seemed a bit stiff, and like I said, Goode was a bit too cheezy.

They really should have taken more liberties in translating the film. Not every comic is Sin City. I liked almost all the changes they made-- like the ending with the Manhattan Bomb, Nite Owl visiting Ozymandias at the start, the fight scenes, Nite Owl's attack on Veidt at the end. All good changes, and I wish Snyder did more of those.

What would I have taken out?

- Bubastis. No point, and looked REALLY fake.
- Veidt tricking Manhattan into the chamber at the end. So awkward. Manhattan arrives, Veidt steps away, Veidt "kills" Manhattan, Veidt back at the stairs (Owl and Rorschach haven't moved!), then Doc comes back in anyway!
- Diner scene with Owl/Spectre
- The 2 Nite Owls having dinner

What would I have modified?

- Manhattan goes to Mars. I don't think you should saddle your audience with that, copnsidering everythig else you're throwing at them. He could have just gone to some desert. Yes, this would have meant a big rewrite on the Spectre/Manhattan air trip.
- I'd have shortened all the Minutemen stuff. Just focus on Spectre I and the Comedian.
- I think there representation of the US-Russia conflict should have been mroe explicit. Instead of just showing a war room, they could have done news broadcasts. Again, the movie is already too complex, so they had to simplify. Plus, those scenes would have been boring to most audiences.
- Manhattan's origin sequence. The comic version was brilliant; the movie version was boring, and I think it wasn't able to effectively show Doc Manhattan's perspective of time. It just looked like flashbacks. I would have just shortened it.
- I'd probably get rid of the alternate history stuff too. I think most of the audience didn't even realize that.
- Music was too overpowering and not placed correctly.

I think Snyder tried too hard to be smart. Moore himself said that Watchmen was the opposite of cinematic, so why would you try to make a 100% accurate translation?

Still, I gave it 7/10, mainly because I'm a comic fan. Meaning, the plot wasn't complex for me because I'd read the book. The rhythm of the dialogue was something I was familiar with. SFX were great (except Bubastis), performances were terrific.

And its Watchmen! On film! I've been waiting for that for more than a decade!

The DVD release will be terrific.

Tuesday, September 09, 2008

Test Test This is a Test...

Anyone remember Test, the WWE wrestler?

That guy had a pretty swank entrance theme song...

Sunday, July 13, 2008

Update 2008!

Okay, this time it took me less than a year to post again! Woot woot. =p

What I've been up to:

Still focusing on comics, but this year I started branching out into other fields a little bit more. I dabbled in storyboard work, did some more RPG-related illustrations, and am about to do some card-art commissions. Learning a little bit more about coloring and painting.

I updated my website just now, so check out butchmapa.tk for some new pinups and sequentials. Also updated my Comicspace and Deviantart accounts.

Friday, August 17, 2007

Update 2007!

Manoman, can't believe I haven't posted in more than a YEAR! Thanks to Gabriel for reminding me of the blog and site (I'll HAVE to update that soon, just trying to find some free time).

What I've been up to:

I got involved with a company called Daystar Entertainment, run by Ray Brown. I had fun working on adapting his novel, although it was hard, stressful work. Basically, I had two people making revisions to my work, which made the work load
pretty heavy.

The company went bankrupt early this year (Ray still owes me money, but I hope he'll be able to pay me and get the company back soon).

I also did a few odd jobs here and there, nothing major though, just pin-ups and short stories.

I joined Platinum Comics' Comic Book Challenge, but unfortunately, our team didn't make it into the second round (apparently, Platinum had a very similarly concept cooking internally, which killed off any chance we had).

Not related to comics, my sister and her two cool kids came over last year, we went to Hong Kong for a few days. Learned early this year that I might have some health issues to take care of, so that kinda shook me up.

Right now I'm doing some work for Atlantis Studios. James has been a great guy to work with, very professional outfit he's got over there.

Thinking of joining Comic Book Idol 3. The winner of CBI3 gets some money to go to New York, so that's a bonus-- I'll be able to see my siblings, some of whom I haven't seen in more than a decade!!
!

Friday, May 26, 2006

EEK!

I got a few issues of Joe Q's X-Factor run a few days ago, and that got me thinking, what kind of artistic legacy has Joe Quesada etched for himself so far? Will his arguably successful, sometimes controversial run as Marvel EIC cause his pencilling work to be pushed aside as a footnote in his career?

Obviously, his editorial duties prevent him from doing any sort of consistent work (NYX and Daredevil: Father). But even before he was named as Marvel's head honcho, he didn't really have a huge body of work. And, the books that he did work on aren't exactly bigtime properties. Outside of Sword of Azrael, I'm not even sure if they're still available in trade form.

Let's see... he did some Impact/DC work, then got noticed on Sword of Azrael. He did a handful of Ninjak, Ash, and X-Factor. But I don't think any of those runs exceeded 6 issues. Then he did a highly publicized year-long run on Daredevil-- but that was unfortunately follwed by a long, criticially acclaimed run by Bendis and Maleev.

Of course, Quesada's career is by no means over. He's been hinting at the big time book that he wants to draw for Marvel. And after his run as EIC is done, he'll be able to do whatever he wants. But Millar has the theory about a creator's shelf-life, and Joe is going to be pretty near that when he's done. And historically, most of Marvel's EICs do their best creative work before they get the job, not after.

Will Joe the Artist be remembered like Steranko, who, with only a handful of issues under his belt, remains one of the more influential comic artists ever?

Or could he be remembered like Michael Golden, someone who produces high quality but with a very limited output?

Or, like Jim Shooter, will he be remembered for his contributions as the head of Marvel, his creative career just a tiny detail that only few fans remember?